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No, it isn't (2022)

The film "No" tells the story of an ordinary person who is faced with unpredictable circumstances that make him doubt the reality of what is happening. The main character, David, begins to suspect that his wife, colleagues and even he himself have become part of a strange conspiracy that turns his life into a nightmare.

Over the course of one night, David tries to uncover the mysteries surrounding him and make sense of his own feelings and memories. He faces a series of mysterious events and situations that make him question his sanity and the reality of what is happening.

One of the film's key moments is playing with reality and perception. The viewer finds himself in David's position, not knowing what is really happening, and which of the characters is trustworthy. Every detail and every word becomes a clue to a mystery that remains unsolved until the very end.

The film explores themes of guilt and suspicion, as well as the theme of a person's psychological vulnerability. He makes the viewer think about questions about human nature and the possibility of perceiving the world around us.

Topics:

• Wine and Suspicion: The film explores the psychological themes of guilt and suspicion that haunt the protagonist throughout the plot.

• Reality and perception: It plays with the concept of reality and perception, making the viewer question what is truth and what is fiction.

• Psychological vulnerability: The film raises questions about a person's psychological vulnerability and their ability to distinguish reality from fiction.

Director:

The director of the film creates a tense and atmospheric picture, emphasizing the psychological tension of the protagonist and instilling a sense of uncertainty in the viewer.

Conclusion:

"No" is an exciting and mysterious psychological thriller that makes the viewer think about the nature of reality and the human psyche. The film leaves behind many questions and offers an unexpected turn of events that will leave the viewer in suspense until the very end.
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