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Context and history of the development of the genre of drama of the absurd

Drama of the absurd is a genre that arose in the context of global social and cultural changes of the 20th century. Its history of development is closely related to the challenges facing humanity in the era of wars, revolutions and technological progress.

The emergence of the drama of the absurd was associated with the sense of loss and anxiety inherent in the modern world. The authors of this genre sought to express the complexity of the human soul in the conditions of madness and meaninglessness of the surrounding world. The first plays and works of drama of the absurd, such as Samuel Beckett's "Waiting for Godot" and Eugene Ionesco's "Chairs," posed the mystery of existence in front of the audience and caused deep reflections on the meaning of life.

Over time, the drama of absurdity has evolved to reflect changes in society and culture. The works of authors such as Jean-Paul Sartre and Harold Pinter revealed new themes and motives related to the political and social contradictions of the modern world. The drama of the absurd has become a platform for expressing various ideas and points of view on the complex problems of our time.

Today, the genre of drama of the absurd continues to develop and attract the attention of both viewers and artists. Its history and context of development remind us that the meaninglessness and madness of human existence are themes that will always be relevant and important to our understanding of the world and ourselves.